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Dick Romans is a washed up TV host whose wife walks out on him the day before their ten year anniversary celebration. Alone with his thoughts, his dog, and a ton of booze, Dick decides to go through with the week-long party... by himself. The seven event-filled days become Dick's reluctant vision quest, filled with odd characters, awkward romance, and some long-overdue self examination.

"The Week" tells the story, as the title suggests, of seven days. Each day has its own main character which is named after the day. There are seven different stories which are not connected to each other. Montag (Monday) is a young, hopeless man without a job. This monday he saves a woman from being raped... Dienstag (Tuesday) wants to run away from our hectic, commercial world and tries to find his way in the woods... Mittwoch (Wednesday) is a drug dealer who wants to do his last job... Donnerstag (Thursday) is homeless and lives on the street. All his hope is gone until a girl comes by... Freitag (Friday) works in a movie theater and secretly loves her co-worker Peter... Samstag (Saturday) is left by his girlfriend Gianna and now for the first time realizes how much he has loved her... Sonntag (Sunday) tells us what happened to the remaining characters and draws a conclusion...

A 2018 English language drama film directed by Luis Enrique Rodríguez, starring Cristina Soler, Yancey Arias and Bianca Marroquin.

Set at the turn of the year 2000, the series follows a group of friends at the end of their teenage years. Everything becomes even more dramatic when Beta dies, at the age of 17, on the night of their high school graduation.

Two brothers grew up in different places: one in the village, with his mother, the other in the city, with an aunt. The first is independent, hardworking, reliable, while the other is spoiled, on his own mind. The brothers met and realized that if they want to remain family people, they need to learn to understand and take care of each other anew.

The Light Ahead is possibly the greatest of Edgar G. Ulmer’s shtetl films. Here, the director counterpoints his pastoral Green Fields to criticize the poverty and superstition that oppress a pair of star-crossed lovers. Made on the eve of World War II, The Light Ahead is at once romantic, expressionist, and painfully conscious of the danger about to engulf European Jews. Impoverished and disabled lovers Fishke and Hodel dream of life in the big city of Odessa, free from the poverty and stifling old-world prejudices of the shtetl. The benevolent and enlightened bookseller Mendele helps them, turning small-town superstitions to their advantage. Based on Mendele Mokher Seforim's story of love frustrated by small-town ignorance, this luminous allegory of escape marries Edgar Ulmer's masterful direction with superb acting by members of New York's Artef and Yiddish Art Theaters.

A famous Hollywood actress and a young wilderness expert drive from Los Angeles to New York. Along the way both women learn they can't run from their past to create the future they want.

From first love to first divorce, Romina and Flor experience different stages of their lives together, in Argentinian director Constanza Novick's exploration of friendship between women.

A young woman makes her way back home to her parents’ house in the middle of the night leaving a bad experience behind. Haunting pressures to fit back into the family dynamics as well as revealing details of her life abroad weigh heavy on her. Feeling cornered, her anxieties resurface, leading her to find solace in another part of her Beirut life that she had forsaken. A life that is for her as familiar and foreign now as it ever was.